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page one. page two. page three. page four. page five. |
page six. page seven. page eight. page nine. page ten. |
page eleven. page twelve. page thirteen. page fourteen. page fifteen. |
page sixteen. page seventeen. page eighteen. |
Story Notes
So, how to describe a panto or pantomime to a non-British audience? Mmm. A panto is performed in a theatre over the Christmas period. Two or
three male actors dress up as women in spectacular, lavish costumes and a female dresses as the male hero. Plays are based on fairy tales such as
Robin Hood, Cinderella, Ali Baba, Aladdin, Puss in Boots and so on. The play includes slapstick where an actor(s) usually gets drenched in water, audience participation (audience - he’s behind you; actor – oh no
he isn’t), jokes in the form of puns and other word play usually aimed at children, songs and so on. In essence it’s a well produced lot of fun and silliness. And if you arrived at the theatre in a bad mood, hopefully everyone leaves the theatre
in a good mood. And it is a great British tradition. Panto’s these days also attract many TV and film stars. So probably everything my story isn’t. A better description might be the one I found at the What’s On Stage website –
Be set in a romanticised vision of the local community, celebrated in song by a chorus of townspeople.
I would love to be able to say that all of the jokes are ones I made up, but sadly I can't. They were all 'borrowed' from various websites.
Except the ramblings of Gruffy who played the narrator. These thoughts occurred to me as I was writing the script. A. J. Rapper and Ardal Branflakes are names that my work colleagues have thought up for me over the years. The printable ones that
is! (Tch, youngsters today, hey). The biscuit tin joke on page nine of this story refers to brands of biscuits that are sold here in the United Kingdom. I added Miles Vane to the script at the last minute. I hadn't envisaged using this character again so soon, but he wrote himself into the
script. All shots for this story were taken with the camera on a tripod and kept in the same position. So the reader is viewing this play as if they were
sitting in the Dress Circle of a theatre. (Best seats of course!)
Seasons Greetings to all readers of The Guard. Behind the scenes
See love triumph and villains redeemed.
Have its villain enter from stage-left, and its hero from stage-right.
Feature original songs and parodies of the popular songs of the day, and a singalong with
Contain slapstick.
Revel in double entendre.
Challenge the audience into call and response with the characters.
Feature a dame, which is a man in matronly drag who makes risqué jokes and throws sweets into the audience.
Allow the actors to acknowledge the audience's presence whilst remaining in danger within the story.
At some point, bring a child from the audience on stage.
page one.